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Art at W Costa Navarino

Art at W Costa Navarino

Art at W Costa Navarino

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ART AT W COSTA NAVARINO

Creating works of art for a new space is all about enhancing its identity and unfolding its vision. With surprising and often challenging viewpoints, contemporary art can be both revealing and refreshing. Art at W Costa Navarino is not simply decoration as it serves a deeper purpose; it is a medium to engage and delight our guests. In this virtual art tour guests can navigate through all pieces of art found in public spaces as well as rooms and villas of W Costa Navarino.

Poka-Yio

Chatting, 2022. Located at W welcome

In the hotel reception you find clay tablets with scribblings in Linear B. Bursts of collective and unlived memories appear. Signs of forgotten languages like the Linear B which thrived in the area of Pylos, become undeciphered sigils. Short texts like prehistoric emojis, full of condensed meaning. We see them as mobile phone text-bubbles of a different era. Communication becomes a sign and a challenge for the guests. Chatting is a calling to the guests to open up during their stay, to communicate or to play by inventing new means of communication.

Sculpture. Clay, gold leaves, plywood. 118 x 214 x 15 cm.

Soni

An aromantic manifest, 2022. Located at W Lounge

In the work "a-romantic manifesto" Soni draw their inspiration and color choices from the urban sunset. An unromantic manifesto full of queer oppression that plays between forbidden desire and the experience of feeling unwanted.

Tapestry. Threads, yarns, twine. 100 x 120 cm.

Art Rug Projects by Soutzoglou x Philippos Theodorides

Arizona Curve. Located at W Lounge

Art Rug Projects by Soutzoglou focuses on the interactive collaboration with Greek and international contemporary artists whose selected works are transformed into handmade rugs and tapestries as original works of art, either as limited editions or as unique pieces. Every collaboration is an opportunity for the artist to discover a new medium, to expand their practice in new ways, imagining the rug as their canvas. Carpet-making is linked with the tradition of the past, whereas contemporary art is an expression of the present. By adapting age-old traditions in a modern context, Art Rug Projects “weaves” heritage, history and handicraft with contemporary art and creative expression.

Threads, 135 X 180 cm.

Manos Tsichlis

Boys overseas got the guns I, 2022. Located at W Lounge Library

In African art, wooden human figures emphasize the importance of the ancestors, the tribe, as they are visual representations of kinship, reminders of origin. At the same time, they act as intermediaries for fertility, good harvest, avoidance of diseases and natural disasters but also for correct political decisions and judgments of the community. In a hotel, transitory relations of kinship between guests are developed, through their coexistence in an intermediate space, in a non-place. A set of ten wooden figures, made of ebony, share the space with a constantly changing human crowd, thus constituting a modern "tribe".

Sculpture. Ebony, walnut and pine wood, acrylic paint, wax. 28.4 x 9.3 x 10 cm.

Manos Tsichlis

Boys overseas got the guns II, 2022. Located at W Lounge Library

In African art, wooden human figures emphasize the importance of the ancestors, the tribe, as they are visual representations of kinship, reminders of origin. At the same time, they act as intermediaries for fertility, good harvest, avoidance of diseases and natural disasters but also for correct political decisions and judgments of the community. In a hotel, transitory relations of kinship between guests are developed, through their coexistence in an intermediate space, in a non-place. A set of ten wooden figures, made of ebony, share the space with a constantly changing human crowd, thus constituting a modern "tribe".

Sculpture. Ebony, walnut and pine wood, acrylic paint, wax. 25 x 9.3 x 7.5 cm.

Manos Tsichlis

Boys overseas got the guns III, 2022. Located at W Lounge Library

In African art, wooden human figures emphasize the importance of the ancestors, the tribe, as they are visual representations of kinship, reminders of origin. At the same time, they act as intermediaries for fertility, good harvest, avoidance of diseases and natural disasters but also for correct political decisions and judgments of the community. In a hotel, transitory relations of kinship between guests are developed, through their coexistence in an intermediate space, in a non-place. A set of ten wooden figures, made of ebony, share the space with a constantly changing human crowd, thus constituting a modern "tribe".

Sculpture. Ebony, walnut and pine wood, acrylic paint, wax. 29 x 9.3 x 11 cm.

Manos Tsichlis

Boys overseas got the guns IV, 2022. Located at W Lounge Library

In African art, wooden human figures emphasize the importance of the ancestors, the tribe, as they are visual representations of kinship, reminders of origin. At the same time, they act as intermediaries for fertility, good harvest, avoidance of diseases and natural disasters but also for correct political decisions and judgments of the community. In a hotel, transitory relations of kinship between guests are developed, through their coexistence in an intermediate space, in a non-place. A set of ten wooden figures, made of ebony, share the space with a constantly changing human crowd, thus constituting a modern "tribe".

Sculpture. Ebony, walnut and pine wood, acrylic paint, wax. 26 x 9.3 x 11 cm.

Manos Tsichlis

Boys overseas got the guns V, 2022. Located at W Lounge Library

In African art, wooden human figures emphasize the importance of the ancestors, the tribe, as they are visual representations of kinship, reminders of origin. At the same time, they act as intermediaries for fertility, good harvest, avoidance of diseases and natural disasters but also for correct political decisions and judgments of the community. In a hotel, transitory relations of kinship between guests are developed, through their coexistence in an intermediate space, in a non-place. A set of ten wooden figures, made of ebony, share the space with a constantly changing human crowd, thus constituting a modern "tribe".

Sculpture. Ebony, walnut and pine wood, acrylic paint, wax. 25 x 9.3 x 10.5 cm.

Manos Tsichlis

Boys overseas got the guns VI, 2022. Located at W Lounge Library

In African art, wooden human figures emphasize the importance of the ancestors, the tribe, as they are visual representations of kinship, reminders of origin. At the same time, they act as intermediaries for fertility, good harvest, avoidance of diseases and natural disasters but also for correct political decisions and judgments of the community. In a hotel, transitory relations of kinship between guests are developed, through their coexistence in an intermediate space, in a non-place. A set of ten wooden figures, made of ebony, share the space with a constantly changing human crowd, thus constituting a modern "tribe".

Sculpture. Ebony, walnut and pine wood, acrylic paint, wax. 25.5 x 9.3 x 12 cm.

Manos Tsichlis

Boys overseas got the guns VII, 2022. Located at W Lounge Library

In African art, wooden human figures emphasize the importance of the ancestors, the tribe, as they are visual representations of kinship, reminders of origin. At the same time, they act as intermediaries for fertility, good harvest, avoidance of diseases and natural disasters but also for correct political decisions and judgments of the community. In a hotel, transitory relations of kinship between guests are developed, through their coexistence in an intermediate space, in a non-place. A set of ten wooden figures, made of ebony, share the space with a constantly changing human crowd, thus constituting a modern "tribe".

Sculpture. Ebony, walnut and pine wood, acrylic paint, wax. 29.5 x 9.3 x 12 cm.

Manos Tsichlis

Boys overseas got the guns VIII, 2022. Located at W Lounge Library

In African art, wooden human figures emphasize the importance of the ancestors, the tribe, as they are visual representations of kinship, reminders of origin. At the same time, they act as intermediaries for fertility, good harvest, avoidance of diseases and natural disasters but also for correct political decisions and judgments of the community. In a hotel, transitory relations of kinship between guests are developed, through their coexistence in an intermediate space, in a non-place. A set of ten wooden figures, made of ebony, share the space with a constantly changing human crowd, thus constituting a modern "tribe".

Sculpture. Ebony, walnut and pine wood, acrylic paint, wax. 24.6 x 9.3 x 12 cm.

Manos Tsichlis

Boys overseas got the guns IX, 2022. Located at W Lounge Library

In African art, wooden human figures emphasize the importance of the ancestors, the tribe, as they are visual representations of kinship, reminders of origin. At the same time, they act as intermediaries for fertility, good harvest, avoidance of diseases and natural disasters but also for correct political decisions and judgments of the community. In a hotel, transitory relations of kinship between guests are developed, through their coexistence in an intermediate space, in a non-place. A set of ten wooden figures, made of ebony, share the space with a constantly changing human crowd, thus constituting a modern "tribe".

Sculpture. Ebony, walnut and pine wood, acrylic paint, wax. 24.3 x 9.3 x 11.5 cm.

Poka-Yio

Soooften Ι & II, 2022. Located at Spa

The spa is becoming another passage. Towels are creating bright white sculptural compositions. The tension found in the ancient sculptures with the intertwined bodies in dramatic compositions is transformed in an abstract relief of twists and drapes of towels. The texture of the towels enhances the sense of intimacy, an important element of any experienced space.

Sculpture. Towels, plywood, wooden frame. 180 x 350 x 30 cm.

Kornilios Grammenos

Sarmata I, 2006. Located at Spa

Deriving from Heraclitus, the great pre-Socratic thinker of Time, this word means waste, remains, a slit, or chasm. Insipred by th title, the interpretative references turn to a couple of new areas: the way in which the artist used the "sarmata"of processed wood as his medium, and the way in which he uses the vold between the reassembled odd pieces. In "Sarmata, Grammenos is inviting specttors to feel these folds, to make them part of their own tactile experience. Having assimilated and incorporated his complete earlier artisitc exploration in this monumental relief, he is now extending this invitation in a subtle, mature, almost humble fashion.

Sculpture Plywood. 150 X 625 X 17 cm.

Dimitrios Harissiades

Osios Loukas, February 1956. Located at Bakery

The Photographic Archive of the Benaki Museum holds the work of the most important Greek photographers. For the first time, a selection of a unique collection is available in high quality archival prints. The photographs are processed and printed within the Department under the utmost care of its personnel. © Benaki Museum Photographic Archive

Photo print, Benaki Museum. 61 X 61 cm.

Zacharias Stellas

Paros, 1973. Located at Bakery

The Photographic Archive of the Benaki Museum holds the work of the most important Greek photographers. For the first time, a selection of a unique collection is available in high quality archival prints. The photographs are processed and printed within the Department under the utmost care of its personnel. © Benaki Museum Photographic Archive

Photo print, Benaki Museum. 61 X 61 cm.

Zacharias Stellas

Paros, 1973. Located at Bakery

The Photographic Archive of the Benaki Museum holds the work of the most important Greek photographers. For the first time, a selection of a unique collection is available in high quality archival prints. The photographs are processed and printed within the Department under the utmost care of its personnel. © Benaki Museum Photographic Archive

Photo print, Benaki Museum. 61 X 61 cm.

Voula Papaioannou

Myconos, 50s. Located at Bakery

The Photographic Archive of the Benaki Museum holds the work of the most important Greek photographers. For the first time, a selection of a unique collection is available in high quality archival prints. The photographs are processed and printed within the Department under the utmost care of its personnel. © Benaki Museum Photographic Archive

Photo print, Benaki Museum. 61 X 61 cm.

Voula Papaioannou

Athens, 1945-46. Located at Bakery

The Photographic Archive of the Benaki Museum holds the work of the most important Greek photographers. For the first time, a selection of a unique collection is available in high quality archival prints. The photographs are processed and printed within the Department under the utmost care of its personnel. © Benaki Museum Photographic Archive

Photo print, Benaki Museum. 61 X 61 cm.

Voula Papaioannou

Athens, 1945-46. Located at Bakery

The Photographic Archive of the Benaki Museum holds the work of the most important Greek photographers. For the first time, a selection of a unique collection is available in high quality archival prints. The photographs are processed and printed within the Department under the utmost care of its personnel. © Benaki Museum Photographic Archive

Photo print, Benaki Museum. 61 X 61 cm.

Poka-Yio

History Lurking, 2022 (edition of 60 artworks). Located at all suites & villas

In dedicated rooms one can find broken and remodelled vases that look as if surfaced from an underwater excavation. Multifaceted, with multiple layers of historic traces, irregularly shaped, like History, lost and forgotten. At the same time a tentacle sticks out of this relic. An octopus, sea's intelligent creature that looks as if it inhabits these debris. History is lurking.

Sculpture. Plaster, clay, nitro-acrylic paint, liquid glass. 20 x 20 x 30 cm.

Poka-Yio

History Lurking, 2022 (edition of 60 artworks). Located at all suites & villas

In dedicated rooms one can find broken and remodelled vases that look as if surfaced from an underwater excavation. Multifaceted, with multiple layers of historic traces, irregularly shaped, like History, lost and forgotten. At the same time a tentacle sticks out of this relic. An octopus, sea's intelligent creature that looks as if it inhabits these debris. History is lurking.

Sculpture. Plaster, clay, nitro-acrylic paint, liquid glass. 20 x 20 x 30 cm.

Poka-Yio

History Lurking, 2022 (edition of 60 artworks). Located at all suites & villas

In dedicated rooms one can find broken and remodelled vases that look as if surfaced from an underwater excavation. Multifaceted, with multiple layers of historic traces, irregularly shaped, like History, lost and forgotten. At the same time a tentacle sticks out of this relic. An octopus, sea's intelligent creature that looks as if it inhabits these debris. History is lurking.

Sculpture. Plaster, clay, nitro-acrylic paint, liquid glass. 20 x 20 x 30 cm.

Poka-Yio

History Lurking, 2022 (edition of 60 artworks). Located at all suites & villas

In dedicated rooms one can find broken and remodelled vases that look as if surfaced from an underwater excavation. Multifaceted, with multiple layers of historic traces, irregularly shaped, like History, lost and forgotten. At the same time a tentacle sticks out of this relic. An octopus, sea's intelligent creature that looks as if it inhabits these debris. History is lurking.

Sculpture. Plaster, clay, nitro-acrylic paint, liquid glass. 20 x 20 x 30 cm.

Poka-Yio

History Lurking, 2022 (edition of 60 artworks). Located at all suites & villas

In dedicated rooms one can find broken and remodelled vases that look as if surfaced from an underwater excavation. Multifaceted, with multiple layers of historic traces, irregularly shaped, like History, lost and forgotten. At the same time a tentacle sticks out of this relic. An octopus, sea's intelligent creature that looks as if it inhabits these debris. History is lurking.

Sculpture. Plaster, clay, nitro-acrylic paint, liquid glass. 20 x 20 x 30 cm.

Poka-Yio

History Lurking, 2002 (edition of 60 artworks). Located at all suites & villas

In dedicated rooms one can find broken and remodelled vases that look as if surfaced from an underwater excavation. Multifaceted, with multiple layers of historic traces, irregularly shaped, like History, lost and forgotten. At the same time a tentacle sticks out of this relic. An octopus, sea's intelligent creature that looks as if it inhabits these debris. History is lurking.

Sculpture. Plaster, clay, nitro-acrylic paint, liquid glass. 20 x 20 x 30 cm.

Poka-Yio

History Lurking,2022 (edition of 60 artworks). Located at all suites & villas

In dedicated rooms one can find broken and remodelled vases that look as if surfaced from an underwater excavation. Multifaceted, with multiple layers of historic traces, irregularly shaped, like History, lost and forgotten. At the same time a tentacle sticks out of this relic. An octopus, sea's intelligent creature that looks as if it inhabits these debris. History is lurking.

Sculpture. Plaster, clay, nitro-acrylic paint, liquid glass. 20 x 20 x 30 cm.

Poka-Yio

History Lurking,2022 (edition of 60 artworks). Located at all suites & villas

In dedicated rooms one can find broken and remodelled vases that look as if surfaced from an underwater excavation. Multifaceted, with multiple layers of historic traces, irregularly shaped, like History, lost and forgotten. At the same time a tentacle sticks out of this relic. An octopus, sea's intelligent creature that looks as if it inhabits these debris. History is lurking.

Sculpture. Plaster, clay, nitro-acrylic paint, liquid glass. 20 x 20 x 30 cm.

Poka-Yio

History Lurking, 2022 (edition of 60 artworks). Located at all suites & villas

In dedicated rooms one can find broken and remodelled vases that look as if surfaced from an underwater excavation. Multifaceted, with multiple layers of historic traces, irregularly shaped, like History, lost and forgotten. At the same time a tentacle sticks out of this relic. An octopus, sea's intelligent creature that looks as if it inhabits these debris. History is lurking.

Sculpture. Plaster, clay, nitro-acrylic paint, liquid glass. 20 x 20 x 30 cm.

Poka-Yio

History Lurking, 2022 (edition of 60 artworks). Located at all suites & villas

In dedicated rooms one can find broken and remodelled vases that look as if surfaced from an underwater excavation. Multifaceted, with multiple layers of historic traces, irregularly shaped, like History, lost and forgotten. At the same time a tentacle sticks out of this relic. An octopus, sea's intelligent creature that looks as if it inhabits these debris. History is lurking.

Sculpture. Plaster, clay, nitro-acrylic paint, liquid glass. 20 x 20 x 30 cm.

Poka-Yio

History Lurking, 2022 (edition of 60 artworks). Located at all suites & villas

In dedicated rooms one can find broken and remodelled vases that look as if surfaced from an underwater excavation. Multifaceted, with multiple layers of historic traces, irregularly shaped, like History, lost and forgotten. At the same time a tentacle sticks out of this relic. An octopus, sea's intelligent creature that looks as if it inhabits these debris. History is lurking.

Sculpture. Plaster, clay, nitro-acrylic paint, liquid glass. 20 x 20 x 30 cm.

Poka-Yio

History Lurking, 2022 (edition of 60 artworks). Located at all suites & villas

In dedicated rooms one can find broken and remodelled vases that look as if surfaced from an underwater excavation. Multifaceted, with multiple layers of historic traces, irregularly shaped, like History, lost and forgotten. At the same time a tentacle sticks out of this relic. An octopus, sea's intelligent creature that looks as if it inhabits these debris. History is lurking.

Sculpture. Plaster, clay, nitro-acrylic paint, liquid glass. 20 x 20 x 30 cm.

Poka-Yio

History Lurking, 2022 (edition of 60 artworks). Located at all suites & villas

In dedicated rooms one can find broken and remodelled vases that look as if surfaced from an underwater excavation. Multifaceted, with multiple layers of historic traces, irregularly shaped, like History, lost and forgotten. At the same time a tentacle sticks out of this relic. An octopus, sea's intelligent creature that looks as if it inhabits these debris. History is lurking.

Sculpture. Plaster, clay, nitro-acrylic paint, liquid glass. 20 x 20 x 30 cm.

Poka-Yio

History Lurking, 2022 (edition of 60 artworks). Located at all suites & villas

In dedicated rooms one can find broken and remodelled vases that look as if surfaced from an underwater excavation. Multifaceted, with multiple layers of historic traces, irregularly shaped, like History, lost and forgotten. At the same time a tentacle sticks out of this relic. An octopus, sea's intelligent creature that looks as if it inhabits these debris. History is lurking.

Sculpture. Plaster, clay, nitro-acrylic paint, liquid glass. 20 x 20 x 30 cm.

Poka-Yio

History Lurking, 2022 (edition of 60 artworks). Located at all suites & villas

In dedicated rooms one can find broken and remodelled vases that look as if surfaced from an underwater excavation. Multifaceted, with multiple layers of historic traces, irregularly shaped, like History, lost and forgotten. At the same time a tentacle sticks out of this relic. An octopus, sea's intelligent creature that looks as if it inhabits these debris. History is lurking.

Sculpture. Plaster, clay, nitro-acrylic paint, liquid glass. 20 x 20 x 30 cm.

Poka-Yio

History Lurking, 2022 (edition of 60 artworks). Located at all suites & villas

In dedicated rooms one can find broken and remodelled vases that look as if surfaced from an underwater excavation. Multifaceted, with multiple layers of historic traces, irregularly shaped, like History, lost and forgotten. At the same time a tentacle sticks out of this relic. An octopus, sea's intelligent creature that looks as if it inhabits these debris. History is lurking.

Sculpture. Plaster, clay, nitro-acrylic paint, liquid glass. 20 x 20 x 30 cm.

Poka-Yio

History Lurking, 2022 (edition of 60 artworks). Located at all suites & villas

In dedicated rooms one can find broken and remodelled vases that look as if surfaced from an underwater excavation. Multifaceted, with multiple layers of historic traces, irregularly shaped, like History, lost and forgotten. At the same time a tentacle sticks out of this relic. An octopus, sea's intelligent creature that looks as if it inhabits these debris. History is lurking.

Sculpture. Plaster, clay, nitro-acrylic paint, liquid glass. 20 x 20 x 30 cm.

Poka-Yio

TXT I, 2022 (edition of 60 artworks). Located at suites & villas

The TXT I series of tiles with engraved Linear B symbols, resemble mobile phone text bubbles, of a different era. Petrified fossils of communication. We invite the guests to decode them and to use them. To make their own interpretations. To use their keyboards to exchange their own encrypted messages with each other. These rituals, the stories lived and shared, will eventually animate this space.

Sculpture. Clay. Assemble of four ceramic tiles, dimensions variable (dimensions of each tile: 20 x 20 cm.).

Poka-Yio

TXT I, 2022 (edition of 60 artworks). Located at suites & villas

The TXT I series of tiles with engraved Linear B symbols, resemble mobile phone text bubbles, of a different era. Petrified fossils of communication. We invite the guests to decode them and to use them. To make their own interpretations. To use their keyboards to exchange their own encrypted messages with each other. These rituals, the stories lived and shared, will eventually animate this space.

Sculpture. Clay. Assemble of four ceramic tiles, dimensions variable (dimensions of each tile: 20 x 20 cm.).

Poka-Yio

TXT I, 2022 (edition of 60 artworks). Located at suites & villas

The TXT I series of tiles with engraved Linear B symbols, resemble mobile phone text bubbles, of a different era. Petrified fossils of communication. We invite the guests to decode them and to use them. To make their own interpretations. To use their keyboards to exchange their own encrypted messages with each other. These rituals, the stories lived and shared, will eventually animate this space.

Sculpture. Clay. Assemble of four ceramic tiles, dimensions variable (dimensions of each tile: 20 x 20 cm.).

Poka-Yio

TXT I, 2022 (edition of 60 artworks). Located at suites & villas

The TXT I series of tiles with engraved Linear B symbols, resemble mobile phone text bubbles, of a different era. Petrified fossils of communication. We invite the guests to decode them and to use them. To make their own interpretations. To use their keyboards to exchange their own encrypted messages with each other. These rituals, the stories lived and shared, will eventually animate this space.

Sculpture. Clay. Assemble of four ceramic tiles, dimensions variable (dimensions of each tile: 20 x 20 cm.).

Poka-Yio

TXT I, 2022 (edition of 60 artworks). Located at suites & villas

The TXT I series of tiles with engraved Linear B symbols, resemble mobile phone text bubbles, of a different era. Petrified fossils of communication. We invite the guests to decode them and to use them. To make their own interpretations. To use their keyboards to exchange their own encrypted messages with each other. These rituals, the stories lived and shared, will eventually animate this space.

Sculpture. Clay. Assemble of four ceramic tiles, dimensions variable (dimensions of each tile: 20 x 20 cm.).

Poka-Yio

TXT I, 2022 (edition of 60 artworks). Located at suites & villas

The TXT I series of tiles with engraved Linear B symbols, resemble mobile phone text bubbles, of a different era. Petrified fossils of communication. We invite the guests to decode them and to use them. To make their own interpretations. To use their keyboards to exchange their own encrypted messages with each other. These rituals, the stories lived and shared, will eventually animate this space.

Sculpture. Clay. Assemble of four ceramic tiles, dimensions variable (dimensions of each tile: 20 x 20 cm.).

Poka-Yio

TXT I, 2022 (edition of 60 artworks). Located at suites & villas

The TXT I series of tiles with engraved Linear B symbols, resemble mobile phone text bubbles, of a different era. Petrified fossils of communication. We invite the guests to decode them and to use them. To make their own interpretations. To use their keyboards to exchange their own encrypted messages with each other. These rituals, the stories lived and shared, will eventually animate this space.

Sculpture. Clay. Assemble of four ceramic tiles, dimensions variable (dimensions of each tile: 20 x 20 cm.).

Poka-Yio

TXT I, 2022 (edition of 60 artworks). Located at suites & villas

The TXT I series of tiles with engraved Linear B symbols, resemble mobile phone text bubbles, of a different era. Petrified fossils of communication. We invite the guests to decode them and to use them. To make their own interpretations. To use their keyboards to exchange their own encrypted messages with each other. These rituals, the stories lived and shared, will eventually animate this space.

Sculpture. Clay. Assemble of four ceramic tiles, dimensions variable (dimensions of each tile: 20 x 20 cm.).

Poka-Yio

TXT I, 2022 (edition of 60 artworks). Located at suites & villas

The TXT I series of tiles with engraved Linear B symbols, resemble mobile phone text bubbles, of a different era. Petrified fossils of communication. We invite the guests to decode them and to use them. To make their own interpretations. To use their keyboards to exchange their own encrypted messages with each other. These rituals, the stories lived and shared, will eventually animate this space.

Sculpture. Clay. Assemble of four ceramic tiles, dimensions variable (dimensions of each tile: 20 x 20 cm.).

Poka-Yio

TXT I, 2022 (edition of 60 artworks). Located at suites & villas

The TXT I series of tiles with engraved Linear B symbols, resemble mobile phone text bubbles, of a different era. Petrified fossils of communication. We invite the guests to decode them and to use them. To make their own interpretations. To use their keyboards to exchange their own encrypted messages with each other. These rituals, the stories lived and shared, will eventually animate this space.

Sculpture. Clay. Assemble of four ceramic tiles, dimensions variable (dimensions of each tile: 20 x 20 cm.).

Poka-Yio

TXT I, 2022 (edition of 60 artworks). Located at suites & villas

The TXT I series of tiles with engraved Linear B symbols, resemble mobile phone text bubbles, of a different era. Petrified fossils of communication. We invite the guests to decode them and to use them. To make their own interpretations. To use their keyboards to exchange their own encrypted messages with each other. These rituals, the stories lived and shared, will eventually animate this space.

Sculpture. Clay. Assemble of four ceramic tiles, dimensions variable (dimensions of each tile: 20 x 20 cm.).

Poka-Yio

TXT I, 2022 (edition of 60 artworks). Located at suites & villas

The TXT I series of tiles with engraved Linear B symbols, resemble mobile phone text bubbles, of a different era. Petrified fossils of communication. We invite the guests to decode them and to use them. To make their own interpretations. To use their keyboards to exchange their own encrypted messages with each other. These rituals, the stories lived and shared, will eventually animate this space.

Sculpture. Clay. Assemble of four ceramic tiles, dimensions variable (dimensions of each tile: 20 x 20 cm.).

Poka-Yio

TXT I, 2022 (edition of 60 artworks). Located at suites & villas

The TXT I series of tiles with engraved Linear B symbols, resemble mobile phone text bubbles, of a different era. Petrified fossils of communication. We invite the guests to decode them and to use them. To make their own interpretations. To use their keyboards to exchange their own encrypted messages with each other. These rituals, the stories lived and shared, will eventually animate this space.

Sculpture. Clay. Assemble of four ceramic tiles, dimensions variable (dimensions of each tile: 20 x 20 cm.).

Poka-Yio

TXT I, 2022 (edition of 60 artworks). Located at suites & villas

The TXT I series of tiles with engraved Linear B symbols, resemble mobile phone text bubbles, of a different era. Petrified fossils of communication. We invite the guests to decode them and to use them. To make their own interpretations. To use their keyboards to exchange their own encrypted messages with each other. These rituals, the stories lived and shared, will eventually animate this space.

Sculpture. Clay. Assemble of four ceramic tiles, dimensions variable (dimensions of each tile: 20 x 20 cm.).

Poka-Yio

TXT I, 2022 (edition of 60 artworks). Located at suites & villas

The TXT I series of tiles with engraved Linear B symbols, resemble mobile phone text bubbles, of a different era. Petrified fossils of communication. We invite the guests to decode them and to use them. To make their own interpretations. To use their keyboards to exchange their own encrypted messages with each other. These rituals, the stories lived and shared, will eventually animate this space.

Sculpture. Clay. Assemble of four ceramic tiles, dimensions variable (dimensions of each tile: 20 x 20 cm.).

Poka-Yio

TXT I, 2022 (edition of 60 artworks). Located at suites & villas

The TXT I series of tiles with engraved Linear B symbols, resemble mobile phone text bubbles, of a different era. Petrified fossils of communication. We invite the guests to decode them and to use them. To make their own interpretations. To use their keyboards to exchange their own encrypted messages with each other. These rituals, the stories lived and shared, will eventually animate this space.

Sculpture. Clay. Assemble of four ceramic tiles, dimensions variable (dimensions of each tile: 20 x 20 cm.).

Poka-Yio

TXT I, 2022 (edition of 60 artworks). Located at suites & villas

The TXT I series of tiles with engraved Linear B symbols, resemble mobile phone text bubbles, of a different era. Petrified fossils of communication. We invite the guests to decode them and to use them. To make their own interpretations. To use their keyboards to exchange their own encrypted messages with each other. These rituals, the stories lived and shared, will eventually animate this space.

Sculpture. Clay. Assemble of four ceramic tiles, dimensions variable (dimensions of each tile: 20 x 20 cm.).

Poka-Yio

TXT I, 2022 (edition of 60 artworks). Located at suites & villas

The TXT I series of tiles with engraved Linear B symbols, resemble mobile phone text bubbles, of a different era. Petrified fossils of communication. We invite the guests to decode them and to use them. To make their own interpretations. To use their keyboards to exchange their own encrypted messages with each other. These rituals, the stories lived and shared, will eventually animate this space.

Sculpture. Clay. Assemble of four ceramic tiles, dimensions variable (dimensions of each tile: 20 x 20 cm.).

Poka-Yio

TXT I, 2022 (edition of 60 artworks). Located at suites & villas

The TXT I series of tiles with engraved Linear B symbols, resemble mobile phone text bubbles, of a different era. Petrified fossils of communication. We invite the guests to decode them and to use them. To make their own interpretations. To use their keyboards to exchange their own encrypted messages with each other. These rituals, the stories lived and shared, will eventually animate this space.

Sculpture. Clay. Assemble of four ceramic tiles, dimensions variable (dimensions of each tile: 20 x 20 cm.).

Smaragda Karamperi

What was left, 2021 (limited edition of 6 copies). Located at villas 21, 35 & Suites 412, 426

In Karamperi's works, the great sun at the edge of the earth turns on the lights and lighthouses. The umbrellas we planted in the sand stand for what was left behind and what we will find in front of us the next day. It is the evidence that we have been and will return to this spot, it is the east and the west, the union in the circle of summertime. The marks on the beach are the pet waiting for us to come home and the light that has carved paths on our skin.

Photograph. Fine art print on Hahnemuhle, mounted on Dibond. 50 x 70 cm.

Smaragda Karamperi

Untitled, 2022 (limited edition of 6 copies). Located at villas 07, 31 & Suites 418, 425

In Karamperi's works, the great sun at the edge of the earth turns on the lights and lighthouses. The umbrellas we planted in the sand stand for what was left behind and what we will find in front of us the next day. It is the evidence that we have been and will return to this spot, it is the east and the west, the union in the circle of summertime. The marks on the beach are the pet waiting for us to come home and the light that has carved paths on our skin.

Photograph. Fine art print on Hahnemuhle, mounted on Dibond. 50 x 70 cm. Edition of 6 copies.

Nafsika Keke

Topcoat, 2021 (limited edition of 6 copies). Located at villas 09, 20 & Suites 415, 423

The photographs presented are dominated by the liquid element in a surreal depiction. The elements that construct the images are interpolated and distorted, in order to create more than one interpretation when encountering them.

Photograph. Fine art print on Hahnemuhle, mounted on Dibond. 50 x 70 cm.

Nafsika Keke

Vibrations, 2021 (limited edition of 6 copies). Located at villas 01, 33 & Suites 417, 422

The photographs presented are dominated by the liquid element in a surreal depiction. The elements that construct the images are interpolated and distorted, in order to create more than one interpretation when encountering them.

Photograph. Fine art print on Hahnemuhle, mounted on Dibond. 50 x 70 cm.

Nafsika Keke

The wave, 2021 (limited edition of 6 copies). Located at villas 11, 27 & Suites 413, 427

The photographs presented are dominated by the liquid element in a surreal depiction. The elements that construct the images are interpolated and distorted, in order to create more than one interpretation when encountering them.

Photograph. Fine art print on Hahnemuhle, mounted on Dibond. 50 x 70 cm.

Anastasia Mazaraki

I remember, 2021 (limited edition of 6 copies). Located at villas 12, 22, 28 & suites 411

In Mazaraki's photographs, the fundamental elements of light and shadow, form, harmony, and colors are recorded as "magical" moments that appear eerie in the simplicity of their features. They invite us to slow down and notice what usually goes unnoticed. She seeks to highlight the truth and magic of the moment through honesty and the personal element of a diary.

Photograph. Fine art print on Hahnemuhle, mounted on Dibond. 50 x 70 cm.

Anastasia Mazaraki

Untouchable, 2021 (limited edition of 6 copies). Located at villas 10, 24, 30 & Suite 421

In Mazaraki's photographs, the fundamental elements of light and shadow, form, harmony, and colors are recorded as "magical" moments that appear eerie in the simplicity of their features. They invite us to slow down and notice what usually goes unnoticed. She seeks to highlight the truth and magic of the moment through honesty and the personal element of a diary.

Photograph. Fine art print on Hahnemuhle, mounted on Dibond. 50 x 70 cm.

Anastasia Mazaraki

Untitled, 2020 (limited edition of 6 copies). Located at villas 06, 23, 37 & Suite 414

In Mazaraki's photographs, the fundamental elements of light and shadow, form, harmony, and colors are recorded as "magical" moments that appear eerie in the simplicity of their features. They invite us to slow down and notice what usually goes unnoticed. She seeks to highlight the truth and magic of the moment through honesty and the personal element of a diary.

Photograph. Fine art print on Hahnemuhle, mounted on Dibond. 50 x 70 cm.

Anastasia Mazaraki

E forse il mare è dentro di lei (Maybe the sea in inside her), 2021 (limited edition of 6 copies). Located at villas 25, 39 & Suites 416, 424

In Mazaraki's photographs, the fundamental elements of light and shadow, form, harmony, and colors are recorded as "magical" moments that appear eerie in the simplicity of their features. They invite us to slow down and notice what usually goes unnoticed. She seeks to highlight the truth and magic of the moment through honesty and the personal element of a diary.

Photograph. Fine art print on Hahnemuhle, mounted on Dibond. 50 x 70 cm.

Anastasia Mazaraki

Evlambia, 2021 (limited edition of 6 copies). Located at villas 08, 26, 32 & Suite 428

In Mazaraki's photographs, the fundamental elements of light and shadow, form, harmony, and colors are recorded as "magical" moments that appear eerie in the simplicity of their features. They invite us to slow down and notice what usually goes unnoticed. She seeks to highlight the truth and magic of the moment through honesty and the personal element of a diary.

Photograph. Fine art print on Hahnemuhle, mounted on Dibond. 50 x 70 cm.

Danai Kotsaki

Mesmerize: annihilation, 2022. Located at villa 01

Inspired by the traditional weaving and basketry arts of Indonesia and through her experience there, Danai Kotsaki composes small personal narratives with natural bamboo materials. The emotions emanating from each color act as guiding forces giving birth to original designs. Through a meditative process of creation and color synesthesia she reveals another story.

Thatched natural bamboo. Bamboo, quassia, acrylic varnish. 20 x 20 cm.

Danai Kotsaki

Mesmerize: labirynth, 2022. Located at villa 07

Inspired by the traditional weaving and basketry arts of Indonesia and through her experience there, Danai Kotsaki composes small personal narratives with natural bamboo materials. The emotions emanating from each color act as guiding forces giving birth to original designs. Through a meditative process of creation and color synesthesia she reveals another story.

Thatched natural bamboo. Bamboo, quassia, acrylic varnish. 40 x 40 cm.

Danai Kotsaki

Mesmerize: rain, 2022. Located at villa 09

Inspired by the traditional weaving and basketry arts of Indonesia and through her experience there, Danai Kotsaki composes small personal narratives with natural bamboo materials. The emotions emanating from each color act as guiding forces giving birth to original designs. Through a meditative process of creation and color synesthesia she reveals another story.

Thatched natural bamboo. Bamboo, quassia, acrylic varnish. 20 x 20 cm.

Danai Kotsaki

Mesmerize: topology, 2022. Located at villa 11

Inspired by the traditional weaving and basketry arts of Indonesia and through her experience there, Danai Kotsaki composes small personal narratives with natural bamboo materials. The emotions emanating from each color act as guiding forces giving birth to original designs. Through a meditative process of creation and color synesthesia she reveals another story.

Thatched natural bamboo. Bamboo, quassia, acrylic varnish. 40 x 40 cm.

Danai Kotsaki

Mesmerize: evolve ΙΙ, 2022. Located at villa 21

Inspired by the traditional weaving and basketry arts of Indonesia and through her experience there, Danai Kotsaki composes small personal narratives with natural bamboo materials. The emotions emanating from each color act as guiding forces giving birth to original designs. Through a meditative process of creation and color synesthesia she reveals another story.

Thatched natural bamboo. Bamboo, quassia, acrylic varnish. 40 x 40 cm.

Danai Kotsaki

Mesmerize: transmitting, 2022. Located at villa 22

Inspired by the traditional weaving and basketry arts of Indonesia and through her experience there, Danai Kotsaki composes small personal narratives with natural bamboo materials. The emotions emanating from each color act as guiding forces giving birth to original designs. Through a meditative process of creation and color synesthesia she reveals another story.

Thatched natural bamboo. Bamboo, quassia, acrylic varnish. 20 x 20 cm.

Danai Kotsaki

Mesmerize: net, 2022. Located at villa 27

Inspired by the traditional weaving and basketry arts of Indonesia and through her experience there, Danai Kotsaki composes small personal narratives with natural bamboo materials. The emotions emanating from each color act as guiding forces giving birth to original designs. Through a meditative process of creation and color synesthesia she reveals another story.

Thatched natural bamboo. Bamboo, quassia, acrylic varnish. 40 x 40 cm.

Danai Kotsaki

Mesmerize: evolve Ι, 2022. Located at villa 31

Inspired by the traditional weaving and basketry arts of Indonesia and through her experience there, Danai Kotsaki composes small personal narratives with natural bamboo materials. The emotions emanating from each color act as guiding forces giving birth to original designs. Through a meditative process of creation and color synesthesia she reveals another story.

Thatched natural bamboo. Bamboo, quassia, acrylic varnish. 20 x 20 cm.

Danai Kotsaki

Mesmerize: ascension, 2022. Located at villa 33

Inspired by the traditional weaving and basketry arts of Indonesia and through her experience there, Danai Kotsaki composes small personal narratives with natural bamboo materials. The emotions emanating from each color act as guiding forces giving birth to original designs. Through a meditative process of creation and color synesthesia she reveals another story.

Thatched natural bamboo. Bamboo, quassia, acrylic varnish. 20 x 20 cm.

Danai Kotsaki

Mesmerize: aura, 2022. Located at villa 35

Inspired by the traditional weaving and basketry arts of Indonesia and through her experience there, Danai Kotsaki composes small personal narratives with natural bamboo materials. The emotions emanating from each color act as guiding forces giving birth to original designs. Through a meditative process of creation and color synesthesia she reveals another story.

Thatched natural bamboo. Bamboo, quassia, acrylic varnish. 20 x 20 cm.

Danai Kotsaki

Mesmerize: revolve, 2022. Located at villa 39

Inspired by the traditional weaving and basketry arts of Indonesia and through her experience there, Danai Kotsaki composes small personal narratives with natural bamboo materials. The emotions emanating from each color act as guiding forces giving birth to original designs. Through a meditative process of creation and color synesthesia she reveals another story.

Thatched natural bamboo. Bamboo, quassia, acrylic varnish. 20 x 20 cm.

Danai Kotsaki

Mesmerize: birth, 2022. Located at villa 39

Inspired by the traditional weaving and basketry arts of Indonesia and through her experience there, Danai Kotsaki composes small personal narratives with natural bamboo materials. The emotions emanating from each color act as guiding forces giving birth to original designs. Through a meditative process of creation and color synesthesia she reveals another story.

Thatched natural bamboo. Bamboo, quassia, acrylic varnish. 20 x 20 cm.

Danai Kotsaki

Mesmerize: dualism, 2022. Located at villa 39

Inspired by the traditional weaving and basketry arts of Indonesia and through her experience there, Danai Kotsaki composes small personal narratives with natural bamboo materials. The emotions emanating from each color act as guiding forces giving birth to original designs. Through a meditative process of creation and color synesthesia she reveals another story.

Thatched natural bamboo. Bamboo, quassia, acrylic varnish. 20 x 20 cm.

Evi Roumani

Oddly Satisfying Disaster (mercury), 2019. Located at villa 01

Oddly Satisfying Disasters series of drawings displays images of a tactile satisfaction and symmetry that narrate the anticipation of a pleasure not achieved but merely represented. These images can unveil another perspective regarding small, every day, compulsive pleasures. Viewers are encouraged to discover their own narratives throughout their encounter with the images. In this path pleasure and destruction serve as the two sides of the same coin. The representation of the real world, full of glossy perfections and intimate depictions thrown in a blinding light, is rematerialized into a deconstructed universe.

Pencil on paper. 7.5 x 6.2 cm. (unframed) / 20 x 30 x 3.5 cm. (framed).

Evi Roumani

Oddly Satisfying Disaster (silk), 2019. Located at villa 07

Oddly Satisfying Disasters series of drawings displays images of a tactile satisfaction and symmetry that narrate the anticipation of a pleasure not achieved but merely represented. These images can unveil another perspective regarding small, every day, compulsive pleasures. Viewers are encouraged to discover their own narratives throughout their encounter with the images. In this path pleasure and destruction serve as the two sides of the same coin. The representation of the real world, full of glossy perfections and intimate depictions thrown in a blinding light, is rematerialized into a deconstructed universe.

Pencil on paper. 8.8 x 5.3 cm. (unframed) / 20 x 30 x 3.5 cm. (framed).

Evi Roumani

Oddly Satisfying Disaster (lips), 2019. Located at villa 11

Oddly Satisfying Disasters series of drawings displays images of a tactile satisfaction and symmetry that narrate the anticipation of a pleasure not achieved but merely represented. These images can unveil another perspective regarding small, every day, compulsive pleasures. Viewers are encouraged to discover their own narratives throughout their encounter with the images. In this path pleasure and destruction serve as the two sides of the same coin. The representation of the real world, full of glossy perfections and intimate depictions thrown in a blinding light, is rematerialized into a deconstructed universe.

Pencil on paper. 4.8 x 6.8 cm. (unframed) / 20 x 30 x 3.5 cm. (framed).

Evi Roumani

Oddly Satisfying Disaster (kiss), 2018-19. Located at villa 21

Oddly Satisfying Disasters series of drawings displays images of a tactile satisfaction and symmetry that narrate the anticipation of a pleasure not achieved but merely represented. These images can unveil another perspective regarding small, every day, compulsive pleasures. Viewers are encouraged to discover their own narratives throughout their encounter with the images. In this path pleasure and destruction serve as the two sides of the same coin. The representation of the real world, full of glossy perfections and intimate depictions thrown in a blinding light, is rematerialized into a deconstructed universe.

Pencil on paper. 9 x 7.2 cm. (unframed) / 20 x 30 x 3.5 cm. (framed).

Evi Roumani

Oddly Satisfying Disaster (mattress), 2018-19. Located at villa 22

Oddly Satisfying Disasters series of drawings displays images of a tactile satisfaction and symmetry that narrate the anticipation of a pleasure not achieved but merely represented. These images can unveil another perspective regarding small, every day, compulsive pleasures. Viewers are encouraged to discover their own narratives throughout their encounter with the images. In this path pleasure and destruction serve as the two sides of the same coin. The representation of the real world, full of glossy perfections and intimate depictions thrown in a blinding light, is rematerialized into a deconstructed universe.

Pencil on paper. 7.5 x 5.5 cm. (unframed) / 20 x 30 x 3.5 cm. (framed).

Evi Roumani

Oddly Satisfying Disaster (whipped cream), 2018-19. Located at villa 27

Oddly Satisfying Disasters series of drawings displays images of a tactile satisfaction and symmetry that narrate the anticipation of a pleasure not achieved but merely represented. These images can unveil another perspective regarding small, every day, compulsive pleasures. Viewers are encouraged to discover their own narratives throughout their encounter with the images. In this path pleasure and destruction serve as the two sides of the same coin. The representation of the real world, full of glossy perfections and intimate depictions thrown in a blinding light, is rematerialized into a deconstructed universe.

Pencil on paper. 7.5 x 5.4 cm. (unframed) / 20 x 30 x 3.5 cm. (framed).

Evi Roumani

Oddly Satisfying Disaster (tangerine), 2019. Located at villa 30

Oddly Satisfying Disasters series of drawings displays images of a tactile satisfaction and symmetry that narrate the anticipation of a pleasure not achieved but merely represented. These images can unveil another perspective regarding small, every day, compulsive pleasures. Viewers are encouraged to discover their own narratives throughout their encounter with the images. In this path pleasure and destruction serve as the two sides of the same coin. The representation of the real world, full of glossy perfections and intimate depictions thrown in a blinding light, is rematerialized into a deconstructed universe.

Pencil on paper. 5.2 x 8.3 cm. (unframed) / 20 x 30 x 3.5 cm. (framed).

Evi Roumani

Oddly Satisfying Disaster (tongue), 2019. Located at villa 31

Oddly Satisfying Disasters series of drawings displays images of a tactile satisfaction and symmetry that narrate the anticipation of a pleasure not achieved but merely represented. These images can unveil another perspective regarding small, every day, compulsive pleasures. Viewers are encouraged to discover their own narratives throughout their encounter with the images. In this path pleasure and destruction serve as the two sides of the same coin. The representation of the real world, full of glossy perfections and intimate depictions thrown in a blinding light, is rematerialized into a deconstructed universe.

Pencil on paper. 6.5 x 6.5 cm. (unframed) / 20 x 30 x 3.5 cm. (framed).

Evi Roumani

Oddly Satisfying Disaster (precious), 2018-19. Located at villa 33

Oddly Satisfying Disasters series of drawings displays images of a tactile satisfaction and symmetry that narrate the anticipation of a pleasure not achieved but merely represented. These images can unveil another perspective regarding small, every day, compulsive pleasures. Viewers are encouraged to discover their own narratives throughout their encounter with the images. In this path pleasure and destruction serve as the two sides of the same coin. The representation of the real world, full of glossy perfections and intimate depictions thrown in a blinding light, is rematerialized into a deconstructed universe.

Pencil on paper. 8.3 x 7.5 cm. (unframed) / 20 x 30 x 3.5 cm. (framed).

Evi Roumani

Oddly Satisfying Disaster (bubbles), 2018-19. Located at villa 35

Oddly Satisfying Disasters series of drawings displays images of a tactile satisfaction and symmetry that narrate the anticipation of a pleasure not achieved but merely represented. These images can unveil another perspective regarding small, every day, compulsive pleasures. Viewers are encouraged to discover their own narratives throughout their encounter with the images. In this path pleasure and destruction serve as the two sides of the same coin. The representation of the real world, full of glossy perfections and intimate depictions thrown in a blinding light, is rematerialized into a deconstructed universe.

Pencil on paper. 5.1 x 7.6 cm. (unframed) / 20 x 30 x 3.5 cm. (framed).

Evi Roumani

Oddly Satisfying Disaster (black tongue), 2019. Located at villa 37

Oddly Satisfying Disasters series of drawings displays images of a tactile satisfaction and symmetry that narrate the anticipation of a pleasure not achieved but merely represented. These images can unveil another perspective regarding small, every day, compulsive pleasures. Viewers are encouraged to discover their own narratives throughout their encounter with the images. In this path pleasure and destruction serve as the two sides of the same coin. The representation of the real world, full of glossy perfections and intimate depictions thrown in a blinding light, is rematerialized into a deconstructed universe.

Pencil on paper. 7.5 x 4.8 cm. (unframed) / 20 x 30 x 3.5 cm. (framed).

Evi Roumani

Oddly Satisfying Disaster (melt), 2019. Located at villa 39

Oddly Satisfying Disasters series of drawings displays images of a tactile satisfaction and symmetry that narrate the anticipation of a pleasure not achieved but merely represented. These images can unveil another perspective regarding small, every day, compulsive pleasures. Viewers are encouraged to discover their own narratives throughout their encounter with the images. In this path pleasure and destruction serve as the two sides of the same coin. The representation of the real world, full of glossy perfections and intimate depictions thrown in a blinding light, is rematerialized into a deconstructed universe.

Pencil on paper. 10.2 x 6.3 cm. (unframed) / 20 x 30 x 3.5 cm. (framed).

Evi Roumani

Oddly Satisfying Disaster (joy), 2019. Located at villa 09

Oddly Satisfying Disasters series of drawings displays images of a tactile satisfaction and symmetry that narrate the anticipation of a pleasure not achieved but merely represented. These images can unveil another perspective regarding small, every day, compulsive pleasures. Viewers are encouraged to discover their own narratives throughout their encounter with the images. In this path pleasure and destruction serve as the two sides of the same coin. The representation of the real world, full of glossy perfections and intimate depictions thrown in a blinding light, is rematerialized into a deconstructed universe.

Pencil on paper. 6.5 x 7.9 cm. (unframed) / 20 x 30 x 3.5 cm. (framed).

Kornilios Grammenos

Aliens, 2012. Located at W Welcome

In the work "a-romantic manifesto" Soni draw their inspiration and color choices from the urban sunset. An unromantic manifesto full of queer oppression that plays between forbidden desire and the experience of feeling unwanted.

Tapestry. Threads, yarns, twine. 100 x 120 cm.
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